Fashion studies

Course Program The teaching aims to give the useful elements to represent and communicate both cultural reference scenarios typical of the fashion industry and design ideas, through learning traditional and digital, innovative and integrated graphic methodologies and techniques. The student must know and control the geometric codes that allow for the conscious representation of existing and imagined shapes and figures. He must know how to handle the tools that allow their manipulation by deepening their characteristics, formal, dimensional, geometric, proportional and perceptual. On the one hand, an attempt will be made to enable the student to acquire a sure manual ability in the use of the simplest and most direct graphic techniques through an intense exercise of freehand drawing, line drawing, and with special attention to the chromatic aspects and representation of color on the other hand, an effort will be made to support this course through the fundamental notions related to the fundamentals of the geometry of representation. This first part of the Drawing Theory and Techniques course is therefore intended to train all these skills, and within this framework there is also the realization of a number of training experiences, which correspond to as many elaborates and testify to the achievement of the objectives set by the course. These elaborates should be understood as a series of end points of the perc

There are no prerequisites

J. Itten, “Arte del colore: esperienza soggettiva e conoscenza oggettiva come vie per l’arte”, Il Saggiatore Editore, 1992. M. Brusatin, “Storia dei colori”, Einaudi Editore, 1983. M. Docci, D. E. Chiavoni, Saper leggere l’architettura, Laterza Edizioni 2017 M. Morlacchi, Il libro del Disegno, Roma 2008, Gangemi editore

In the presence

The written test is equivalent to the creation of graphic works for the exam, and the oral test is used to understand the degree of awareness the student has achieved.